A Netflix takeover of Warner Bros might sound exciting, but it could mean higher prices, fewer choices, and a weaker theater experience. Here’s why the merger would be bad for consumers, creativity, and the future of Hollywood.

Marvel’s Avengers: Doomsday has wrapped filming, but with an overcrowded cast and little buildup, can it capture the magic of Infinity War and Endgame—or will it fall flat?

Disney and Lucasfilm dropped the first poster, synopsis, and teaser for The Mandalorian and Grogu—and none of it impresses. From a cheap retro poster to a vague synopsis and highlight-reel trailer, here’s why this Star Wars film already feels like a glorified Disney+ episode.

James Gunn just revealed the Man of Tomorrow script for his DCU Superman movie, and the cover art is loaded with hints. From Brainiac’s arrival to retro sci-fi vibes and psychological themes, here’s what the brain imagery could mean for the future of Superman.

Jimmy Kimmel’s ABC suspension sparks debate over free speech, the FCC, and late-night comedy. Was it necessary for him to blame MAGA and politicize Charlie Kirk’s assassination—or should comedy return to uniting people instead of dividing them?

Is the Joker really DC’s greatest villain—or just its most overused? From endless movie teases to stale comic arcs, here’s why Gotham’s Clown Prince of Crime has become more marketing gimmick than menace, and why it’s time for other rogues to take the spotlight.